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THE ANARCHY SHOW
PLAYLIST FOR 24 MAY 2010
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Speculator: Insurge A/F
Long Lunches: The Herd A/F
One Race One Creed One World: Monkey Marc A
Bring the Noise: Public Enemy
Beasttie Boys: Shake your Rump
DJ Morphism A
Independent Lens - PBS - http://www.pbs.org/independentlens/copyright-criminals/more.html
Jan 01 1970 Drummer Clyde Stubblefield’s drum solo on this single is one of the most sampled recordings of all time.
1972 Remixes of rhythm tracks now appear on all B-sides of new singles released in Jamaica, providing endless material for sampling and DJing.
1973 Bronx DJ Clive Campbell, a.k.a. Kool Herc, is the first to experiment with breakbeats, manipulating old funk, R&B and soul tracks to form the basis of hip-hop.
1975 Dec 31 Grandmaster Flash starts mixing, connecting bits of two different songs during the breaks. DJ Grand Wizard Theodore invents “scratching,” or nudging a record under the needle during breaks.
1976 Oct 19 Copyright Act Passed: The Act defines fair-use practices and remains the basis of all copyright law in the U.S.
1982 July 01 In the early and mid-1980s, affordable samplers and sequencers like the Roland TB-303 enable more hip-hop producers to use digital technology, ushering in the “golden age” of the late ’80s.
1987 Oct 10 Characterized by down-tempo beats and dub-like, surreal samples, trip-hop’s popularity grows as artists such as Massive Attack and DJ Spooky continue to redefine experimental and electronic music. Instead of sampling existing audio, acts like Tricky and Portishead record live audio onto vinyl and sample it for the effect.
1988 April 17 It Takes a Nation of Millions to Hold Us Back incorporates hundred of sampled music fragments, defining a new sound and achieving major critical and commercial success. Bring the Noise
Jul 1, 1989 12:00 AM “U Can’t Touch This” The wildly popular MC Hammer single samples funk icon Rick James’s “Super Freak” and sells millions of copies.
Sixties pop act the Turtles sue De La Soul for sampling an audio fragment on their classic hip-hop album 3 Feet High and Rising. An out-of-court settlement is reached, heralding the end of an era in unauthorized sampling.
1989 July 25 The second album by the Beastie Boys fuses punk and hip-hop sensibilities with heavy sampling. The second album by the Beastie Boys fuses punk and hip-hop sensibilities with heavy sampling.
1991 July 1 Experimental sound artists Negativland release the parody single “U2” as a commentary on creativity, copyright laws and fair use, incorporating samples from U2 recordings and radio DJ Casey Kasem. U2’s Island Records label promptly sues Negativland for copyright infringement.
1991 Dec 17 Pop crooner Gilbert O’Sullivan’s publishers, Grand Upright Music, sues rapper Biz Markie’s label for Biz’s sample of “Alone Again (Naturally).” The judge rules in Grand Upright’s favor, quoting the Bible: “Thou shalt not steal.” The original Biz Markie album is pulled due to copyright infringement and a re-release is issued without the song.
1995 July 1 Rapper Coolio releases the hit single “Gangsta’s Paradise,” prominently featuring sampling from the Stevie Wonder classic “Pastime Paradise.”
1996 July 1 Instrumental hip-hop artist DJ Shadow’s debut album “Endtroducing” is constructed entirely from samples, creating experimental aural collages from recorded sound fragments.
2002 March Artists like the Eclectic Method, a group of three pop-culture VJs, pioneer the new art of audio-visual mixing and video manipulation
2004 Feb 3 Music artist and producer Danger Mouse creates The Grey Album, a mashup of unauthorized samples from Jay-Z’s Black Album and the Beatles’ White Album.
Although The Grey Album was not commercially released, thousands of people download it for free online, despite records companies’ attempts to stop it. The Internet becomes a way for artists to create and distribute their own sample-based music and homemade mashups, via sites like YouTube.
2008 Sept 23 Girl Talk, Greg Gillis’s one-man sample act, releases his popular mashup album Feed the Animals on the Illegal Art label. Available through “pay what you want” online downloads, as well as in brick-and-mortar stores, the album is composed entirely of unauthorized samples. Gillis manages to evade legal action.
What was mentioned briefly...
http://negotiationisover.com/2010/05/20/anarchists-firebomb-royal-bank-canada/
http://ottawa.indymedia.org/en/2010/05/11251.shtml
As always, the "anarchists" involved in the Tuesday morning blaze have been found out to be government agents - just as they were in the SPP Montebello summit.
The attack perpetrated by the government is designed to ramp up fear and concern ahead of the G20 meetings. Expect a much bigger police presence during Toronto event as well as limited free speech.
Citizens of Ottawa should pressure local police and government to look at the possibility of this attack being self-inflicted.
http://beyondnuclearinitiative.wordpress.com/#_ftn1
Media release
May 17, 2010
From the campfire to cyberspace: Radioactive waste concerns go global
Aboriginal Traditional Owners opposed to a radioactive waste dump at Muckaty Station in the Northern Territory of Australia have taken their campaign to a global online audience.
The short film “Muckaty Voices”[1] has now been uploaded to youtube, documenting the story and concerns of people directly affected by the controversial federal government plan.
Muckaty Traditional Owner Doris Kelly Nakamarra said “We made the film to show we are the Traditional Owners for our Grandmothers and Grandfathers. We want to be even with people, even talking about who is on the right and wrong. We want people to sit down and see the picture properly, to look at it and see how things should be.”
A deal between the Northern Land Council and the federal Government to use the Muckaty site remains confidential. While some members of the Muckaty Land Trust support a radioactive waste dump in return for access to roads, housing and infrastructure, many do not and are highly critical of the approach being taken by federal Resources Minister Martin Ferguson.
Muckaty Traditional Owner Mark Lane Jangala, a member of the Ngapa group said to be supporting the dump said, “We don’t want it. There are plenty of sacred sites. There is not just Ngapa in there, there are other groups too. There was not a meeting in town consulting all of the Traditional Owners for the land, they just got the individual people they knew. The others, we were left out. We are going against it, we are fighting against it. We are going to challenge them in court and then through our court- Aboriginal Law and culture with the dot paintings on our body.”
The film launch follows release of a Senate Committee report recommending passage of legislation specifically targeting Muckaty for the dump. The Committee admitted it had not had access to key project documents including the secret site nomination and anthropologist’s reports.
Minister Ferguson’s draft law – the National Radioactive Waste Management Bill – is based heavily on legislation from the previous Howard government. It was scheduled for introduction to the Senate last week but has been delayed until June sittings. “Muckaty Voices” has been sent to all federal Labor Senators ahead of the vote.
The proposed waste dump law excludes the Muckaty Traditional Owners from procedural fairness and appeal rights, removes Aboriginal Heritage and environmental protections and overrides any Commonwealth, State and Territory laws that could be used to oppose or challenge the dump plan.
Critics including Traditional Owners, the Central Land Council, the Australian Council of Trade Unions (ACTU) and national environment organisations have condemned the laws as undemocratic and out of step with international practices, including Australia’s obligations under the United Nations Declaration on the Rights of Indigenous Peoples.
Traditional Owners are increasing their efforts against the nuclear dump plan and their campaign is the focus of a growing national fight.
Muckaty Traditional Owner Dianne Stokes concluded, “We made the video throughout the Warlmanpa land. It is all of the Milwayi story. Along with that, we have some songs and dances to represent the country. Martin Ferguson has avoided us and ignored our letters but he knows very well how we feel. He has been arrogant and secretive and he thinks he has gotten away with his plan but in fact he has a big fight on his hands.”
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[1] “Muckaty Voices” is a 10 minute documentary commissioned by Muckaty Traditional Owners opposed to radioactive waste being stored on their country. It was produced by Eleanor Gilbert of Enlightning Productions, with support from the Beyond Nuclear Initiative.
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