E^ST @ The Foundry

Hailing from the Central Coast of NSW, emerging musician/ vocalist E^ST took over Brisbane's The Foundry during her 'Get Money!' Tour.

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The Valley was looking a bit sad on Friday night when I arrived to see E^ST play her first headline show in Brisbane at the Foundry. I hoped it would pick up a bit before the young vocalist took to the stage, as I was sure she would give justice to her recorded tracks.

Melbourne-native electronic pop songstress BEL, opened up the night with her three piece set. Whilst there weren’t many punters there at this stage, she didn’t let that phase her, and her progressive pop tones filled the venue with their synth riffs and sparkly production. Her vocals were astonishing, and showed an incredible amount of skill and control, shown by her vibrato and range. She played a new song Own Home in the middle of her set, which she described as being about ‘not letting the power of the dark overwhelm the light’, and was an incredible display of grandiose alt-pop, almost becoming a bit avant-garde. Her last song of her set, Melancholia, was a highlight, although at times her voice became a bit lost in the mix. BEL had very good stage presence for a rookie performer, and I’ll be excited to see more from her in the future.

Alive Ivy came to the stage at around 9.30, and opened with track Touch. She performed mostly as a producer, and was a solo artist, looping synths and guitars over computer generated sounds. The first tracks were exciting, but after a while her stuff became slightly repetitive and un-engaging. Performance wise – she was pretty good, but I feel as though it was perhaps the wrong venue for her style. Her cover of Sweet Dreams Are Made of This was a highlight of her set, and I hope to see if she evolves in the future, as I feel she has great potential.

E^ST kicked off at 10.20, bouncing onto the stage with an incredible energy. Opening her set up with Parallel Lines, her two piece set up (just her and a synth/guitar player) seemed to work well, as she commanded the stage with the bubbly personality. Dressed in docs, cargo pants and a sheer mesh top, she dripped with confidence as she played through singles, and tracks from her new EP. Earlier tracks such as The Alley and Old Age merged well with newer tracks such as Cult and Anti-Hero which she confessed to have only played twice live.

By the time she got to bigger tracks Disappear and Monster, the Foundry had filled up behind me, and most people were having a boogie. Her short songs allowed her to have a long set list, and she kept on slaying every track on that list. Screentime and Let Down were other highlights.

Near the end of the set her band member left the stage, and she performed solo on guitar, showcasing her skills as a musician. Older track Until Then was filled with a fragility that she had not shown until then, and new track Bad Choices (which was approved by her mum), was also impressive. Her band member came back on the stage to an orchestral opening, and E^ST finished her set with Get Money!. I was half expecting local emerging hip-pop sensation Mallrat to make a surprise appearance to perform her rap section in the recorded song, but I was more surprised by how much E^ST absolutely nailed the whole thing.

There is much to come for this young performer, and if she keeps heading in the direction she is now, she is destined for great things. An excellent show.

This review was written by Olivia Shoesmith.

Zed Facts

In November 2013, Queer Radio was chosen by an independent panel of judges to win the CAN Awards 2013 Media Award. The Community Action Network Awards were first introduced in 1997 to recognize achievement that is positive and makes a difference in the inner city areas of Brisbane. Coordinated by the New Farm Neighbourhood Centre, the award citation reads "For excellence in journalism/social media which promotes the social inclusion and equality for all".