Arts Review
The Music of John Williams

The Music of John Williams presented an opportunity for patrons from across Brisbane to gather in the Concert Hall at QPAC and experience the Queensland Symphony Orchestra demonstrating their expertise in front of an audience filled with die‑hard Star Wars fans, film lovers, and aspiring musicians. It was a program built on nostalgia and modern‑day relevance, drawing in everyday people who recognised the references instantly because these films have been watched, rewatched, and cherished for decades.
From the moment the musicians took their places, there was a sense of disciplined readiness. They wielded their instruments like weapons - poised, controlled, and purposeful - assembled like an army preparing for battle. Under the baton of conductor Nicholas Buc, this army moved with precision. Buc guided each pocket of the orchestra with clarity and intention, allowing every section to bring its own flavour to the score while still maintaining a unified direction. His leadership ensured that each musical idea was expressed fully, shaped by the unique instrumentation, yet always anchored to the shared goal: bringing the mastery of John Williams to life. It was a goal they achieved with conviction.
Among the highlights, Hedwig’s Theme stood out as a personal favourite, shimmering with its familiar sense of magic and flight. Close Encounters of the Third Kind offered an eerie sense of wonder, and Buc’s commentary about the director’s insistence on perfecting the iconic four‑note motif added a fascinating layer - an insight into how Williams captured the aliens’ curiosity about humanity with scientific precision. Superman soared proudly through the hall, reminding the audience why it remains one of the catchiest and most triumphant superhero themes ever written. And of course, the Indiana Jones theme - presented in two variations - brought its unmistakable spirit of adventure.
Nicholas Buc is a fantastic conductor for this kind of performance because he blends his deep knowledge of classical music with a genuine love of pop culture. This combination shows in the way he communicates with the audience. His introductions provided small slices of pop‑culture history, weaving the storyline of Williams’ career one orchestral piece at a time. He offered just the right amount of insight- enough to enrich the listening experience without giving away the musical “plot twists” that make these scores so compelling.
With John Williams turning 94 this year, the performance felt like a heartfelt tribute to a legacy that has shaped generations of filmgoers and musicians alike. The Queensland Symphony Orchestra honoured that legacy with precision, passion, and a clear sense of joy. For Brisbane audiences, it was more than a concert - it was a celebration of the soundtracks that have defined some of the most iconic stories of our time.
Words by: Joanna Letic
Imagery By: Sam Muller